Models

5 models

  • Ensoniq EPS

    Performance sampling keyboard workstation

    Sampler · United States

    The Ensoniq EPS (Ensoniq Performance Sampler), released in 1988, is a polyphonic sampling keyboard with up to twelve to twenty voices depending on sample rate, a 61-note velocity- and aftertouch-sensitive keyboard, an onboard sequencer, and disk storage, designed as an affordable performance-oriented sampling workstation.

  • Ensoniq ASR-10

    Thirty-one-voice 16-bit sampling workstation

    Sampler · United States

    The Ensoniq ASR-10 (Advanced Sampling Recorder), produced from 1992 to 1998, is a 31-voice 16-bit sampling workstation that integrated sampling, resynthesis, onboard effects, and a sequencer into a single instrument. It shipped with a 61-note keyboard (88 weighted keys on the ASR-88) and became a favorite of hip-hop and electronic producers.

  • Technical line drawing of E-mu SP-1200

    E-mu SP-1200

    Sampling drum machine

    Sampler · United States

    The E-mu SP-1200, released in 1987, is a sampling drum machine that combined 12-bit sampling with an analog filter and a sequencer. Its gritty, crunchy sound and short sampling time shaped hip-hop production and remain prized by beatmakers.

  • Technical line drawing of Akai MPC2000

    Akai MPC2000

    MIDI production center sampler

    Sampler · Japan

    The Akai MPC2000, released in 1997, is a sampler-sequencer in the MPC family that became a workhorse of late-1990s hip-hop and electronic production, offering 16-bit sampling, pad-based programming, and expandable memory and storage.

  • Technical line drawing of Akai MPC60

    Akai MPC60

    MIDI production center sampler

    Sampler · Japan

    The Akai MPC60, released in 1988, was the first MPC: a sampling drum machine and MIDI sequencer designed by Roger Linn. Its sound, its swing/'feel' timing, and its 16-pad workflow established the template for hip-hop production.