Models

15 models

  • WFL Super Classic

    The same drums, the other badge

    Drum kit · United States

    Built while Conn held the Ludwig name, WFL kits are Ludwig drums in everything but the badge — same shells, same lugs, same factory, same man. They trade a little below their Ludwig equivalents for no reason a drummer can hear.

  • Camco Oaklawn

    The Illinois-built kits collectors chase

    Drum kit · United States

    Camco's Oaklawn-badge drums, built in Illinois before the company moved to Kansas, are the most sought of the brand: thin maple shells, minimal hardware, and a following far larger than the production numbers justify.

  • Asba Caroline

    French kit of the 1960s and 1970s

    Drum kit · France

    The Caroline was Asba's professional line, with cast lugs, distinctive hoops, and a following among French jazz players that has kept the drums circulating in Europe.

  • Trixon Speedfire

    One bass drum shell, two tuned chambers

    Drum kit · Germany

    The Speedfire's bass drum is a single elliptical shell divided internally into two chambers of different volume, played with a twin pedal so a drummer gets two bass pitches from one drum. It did not catch on and is unmistakable.

  • Slingerland Modern Solo

    The Krupa-era outfit

    Drum kit · United States

    Slingerland's professional outfit through the swing years, sold around the Radio King snare and the endorsement that came with it. Original Modern Solo kits in white marine pearl are among the most photographed drums of the century.

  • Ludwig Downbeat

    The small kit of the 1960s

    Drum kit · United States

    A 20" bass drum, a 12" tom, and a 14" floor tom — the configuration Ringo Starr played and the one every jazz and small-club drummer bought. Its size is the reason 1960s records sound the way they do, and the reason the format came back.

  • Gretsch Round Badge

    "That great Gretsch sound"

    Drum kit · United States

    Round Badge kits — named for the badge shape used until about 1971 — pair three-ply maple and gum shells with silver-sealed interiors and die-cast hoops. The dry, woody tone is the sound of American jazz drumming, and Art Blakey, Tony Williams, and Elvin Jones all played them.

  • Gretsch Progressive Jazz

    The bebop configuration

    Drum kit · United States

    An 18" bass drum with a 12" tom and a 14" floor tom: small, quick, and pitched high enough to sit under a ride cymbal rather than compete with it. The configuration is named for the music it was built for.

  • Ludwig Super Classic

    The four-piece that defined American rock drumming

    Drum kit · United States

    A 22" bass drum with two toms, in three-ply mahogany and poplar with maple reinforcement rings — thin, resonant shells that are loud without being hard. Along with the Downbeat, this is the kit most 1960s and 1970s American records were made on.

  • Slingerland Buddy Rich Outfit

    The endorsement kit of the big band era's loudest drummer

    Drum kit · United States

    Slingerland catalogued a Buddy Rich configuration for decades, and the association — like Krupa's before it — did as much for the brand as any shell specification.

  • Trixon Telstar

    Conical bass drum kit

    Drum kit · Germany

    The Telstar's bass drum tapers from a large batter head to a smaller resonant one, a shape Trixon argued projected better. Like the Speedfire it is remembered more for its silhouette than its sales.

  • Slingerland Radio King Outfit

    The swing-era Slingerland kit

    Drum kit · United States

    Radio King outfits paired the solid-shell snare with maple toms and bass drums, and Gene Krupa's endorsement made them the most visible drums in America through the late 1930s and 1940s.

  • Sonor Phonic

    The heavy beech kits of the 1970s and 1980s

    Drum kit · Germany

    Phonic is the Sonor most drummers picture: dense beech shells, chrome-heavy hardware, and a low, controlled tone that made the kits fixtures in European studios. Original Phonic drums are collected as seriously as any American vintage kit.

  • Rogers Londoner

    The larger 1970s Rogers configurations

    Drum kit · United States

    The Londoner sets were Rogers' answer to the growing kits of the 1970s, offered in numbered configurations that ran up to double bass drums and five toms.

  • Rogers Holiday

    The 1960s American kit with Swiv-O-Matic mounts

    Drum kit · United States

    Holiday kits carried Rogers' Swiv-O-Matic ball-and-socket mounting, which let a tom be positioned in ways competitors' hardware could not, and thin maple shells with reinforcement rings. The Cleveland- and Dayton-badged drums are the ones collectors chase.