Models

15 models

  • Camco Oaklawn

    The Illinois-built kits collectors chase

    Drum kit · United States

    Camco's Oaklawn-badge drums, built in Illinois before the company moved to Kansas, are the most sought of the brand: thin maple shells, minimal hardware, and a following far larger than the production numbers justify.

  • Leedy Broadway Standard

    Pre-war American professional snare

    Percussion · United States

    The Broadway Standard was Leedy's professional snare through the 1920s and 1930s, and its mechanical strainer designs are the ancestors of most of what followed.

  • Slingerland Radio King

    Solid one-ply maple shell, cut from a single plank

    Percussion · United States

    The Radio King's shell is one piece of steam-bent solid maple rather than laminated plies, and the drum's crack — dry, loud, and quick to decay — is the sound of American swing drumming. It has been reissued repeatedly and copied constantly.

  • Slingerland Modern Solo

    The Krupa-era outfit

    Drum kit · United States

    Slingerland's professional outfit through the swing years, sold around the Radio King snare and the endorsement that came with it. Original Modern Solo kits in white marine pearl are among the most photographed drums of the century.

  • Ludwig Downbeat

    The small kit of the 1960s

    Drum kit · United States

    A 20" bass drum, a 12" tom, and a 14" floor tom — the configuration Ringo Starr played and the one every jazz and small-club drummer bought. Its size is the reason 1960s records sound the way they do, and the reason the format came back.

  • Gretsch Round Badge Snare

    Three-ply maple with die-cast hoops

    Percussion · United States

    The Round Badge era snare pairs the same silver-sealed three-ply shell as the kits with die-cast hoops, giving a dry, focused crack that sits under a cymbal without fighting it.

  • Gretsch Round Badge

    "That great Gretsch sound"

    Drum kit · United States

    Round Badge kits — named for the badge shape used until about 1971 — pair three-ply maple and gum shells with silver-sealed interiors and die-cast hoops. The dry, woody tone is the sound of American jazz drumming, and Art Blakey, Tony Williams, and Elvin Jones all played them.

  • Gretsch Progressive Jazz

    The bebop configuration

    Drum kit · United States

    An 18" bass drum with a 12" tom and a 14" floor tom: small, quick, and pitched high enough to sit under a ride cymbal rather than compete with it. The configuration is named for the music it was built for.

  • Ludwig Super Classic

    The four-piece that defined American rock drumming

    Drum kit · United States

    A 22" bass drum with two toms, in three-ply mahogany and poplar with maple reinforcement rings — thin, resonant shells that are loud without being hard. Along with the Downbeat, this is the kit most 1960s and 1970s American records were made on.

  • Slingerland Buddy Rich Outfit

    The endorsement kit of the big band era's loudest drummer

    Drum kit · United States

    Slingerland catalogued a Buddy Rich configuration for decades, and the association — like Krupa's before it — did as much for the brand as any shell specification.

  • Camco Aristocrat

    Camco's professional wood snare

    Percussion · United States

    The Aristocrat was Camco's standard professional snare, a thin maple shell with the company's own strainer, and one of the drums whose reputation kept the brand's name alive after the factory closed.

  • Slingerland Radio King Outfit

    The swing-era Slingerland kit

    Drum kit · United States

    Radio King outfits paired the solid-shell snare with maple toms and bass drums, and Gene Krupa's endorsement made them the most visible drums in America through the late 1930s and 1940s.

  • Slingerland Artist Model

    Three-ply Slingerland snare of the 1960s and 1970s

    Percussion · United States

    The Artist Model was Slingerland's mainstream professional snare after the solid-shell era: three-ply maple and mahogany with a reinforcement ring, and the company's clam-shell strainer.

  • Rogers Londoner

    The larger 1970s Rogers configurations

    Drum kit · United States

    The Londoner sets were Rogers' answer to the growing kits of the 1970s, offered in numbered configurations that ran up to double bass drums and five toms.

  • Rogers Holiday

    The 1960s American kit with Swiv-O-Matic mounts

    Drum kit · United States

    Holiday kits carried Rogers' Swiv-O-Matic ball-and-socket mounting, which let a tom be positioned in ways competitors' hardware could not, and thin maple shells with reinforcement rings. The Cleveland- and Dayton-badged drums are the ones collectors chase.