Models

Every model, most significant first.

46 models

  • Black technical line drawing of a Yamaha DX7-style digital synthesizer

    Yamaha DX7

    Six-operator FM digital synthesizer

    Synthesizer · Japan

    Yamaha's landmark six-operator FM digital synthesizer, introduced in May 1983.

  • Technical line drawing of a Korg MS-20-style semi-modular analog synthesizer

    Korg MS-20

    Patchable semi-modular monophonic analog synthesizer

    Synthesizer · Japan

    The Korg MS-20, released in 1978, is a patchable semi-modular monophonic analog synthesizer with two oscillators and a distinctive dual filter capable of aggressive resonance. Its hands-on patch bay and external signal processor made it a hugely influential and enduring instrument.

  • Gibson Lucille

    Electric guitar model

    United States

    B.B. King's signature guitar, based on the ES-355 but built without f-holes to cut down on feedback at high volume. Named after King's own guitar, it features stereo wiring and a Varitone tone selector for a refined, smooth voice.

  • Technical line drawing of Fairlight CMI

    Fairlight CMI

    Digital audio workstation

    Synthesizer · Australia

    The Fairlight CMI (Computer Musical Instrument), introduced in 1979, was one of the first commercial digital sampling workstations. Pairing a sampler with a light-pen computer interface and the influential 'Page R' sequencer, it transformed 1980s pop production despite its very high cost.

  • Technical line drawing of Akai S1000

    Akai S1000

    1988 16-bit professional stereo digital sampler

    Sampler · Japan

    The Akai S1000, released in 1988, is a rackmount 16-bit stereo digital sampler that set a professional standard for sampling in the late 1980s and 1990s, with high audio quality, flexible editing, and wide library support.

  • Soldano SLO-100

    100-watt high-gain tube amplifier head

    Amplifier · United States

    The Soldano Super Lead Overdrive 100 (SLO-100), introduced in 1987 by Mike Soldano, is a 100-watt all-tube guitar amplifier head with Normal and Overdrive channels, powered by four 5881/6L6 tubes. It is widely credited as a benchmark modern high-gain design and is hand wired in the USA.

  • Diezel VH4

    100-watt four-channel tube amplifier head

    Amplifier · Germany

    The Diezel VH4 is a 100-watt all-tube guitar amplifier head driven by four KT77 power tubes, with four independently voiced preamp channels (Clean, Crunch, Mega, Lead), each with its own gain, EQ, and master. A benchmark high-gain amplifier, it is hand-built in Germany.

  • Technical line drawing of Bond Electraglide

    Bond Electraglide

    Electric guitar made in England in the mid-1980s

    Electric guitar · United Kingdom

    A futuristic British electric guitar of the mid-1980s, the Electraglide had a molded carbon-fiber body, a stepped fingerboard in place of conventional frets, and a digital control panel with an electroluminescent readout. Hugely ambitious and expensive, it was a commercial failure that helped sink its maker.

  • Bogner Ecstasy

    Multi-channel tube guitar amplifier

    Amplifier · United States

    The Bogner Ecstasy, introduced in 1992, is Bogner Amplification's flagship multi-channel tube guitar amplifier. It is offered with selectable 6L6 (American voicing) or EL34 (British voicing) power tubes and is known for its versatile clean, Blue, and Red channels spanning sparkling cleans to saturated high gain.

  • Technical line drawing of Akai MPC

    Akai MPC

    Electronic musical instrument

    Synthesizer · Japan

    The Akai MPC (MIDI Production Center) is a family of sampler-sequencers, first released in 1988, that combined sampling, drum-pad performance, and sequencing in one unit. Developed with Roger Linn, the MPC became a central tool of hip-hop and electronic production and remains an industry standard.

  • Technical line drawing of Anderson Drop Top

    Anderson Drop Top

    S-style solid-body electric guitar model

    Electric guitar · United States

    The Drop Top is Tom Anderson Guitarworks' signature S-style electric guitar, introduced in 1990. It features a book-matched exotic tonewood top (flame or quilted maple, walnut, or koa) 'dropped' over a tonewood back of alder, mahogany, swamp ash, or basswood to create a contoured forearm bevel, paired with a bolt-on Anderson neck.

  • Yamaha DX1

    DX Series FM digital synthesizer

    Synthesizer · Japan

    A Yamaha DX Series FM digital synthesizer introduced in 1983 and part of the original DX Series lineup discussed in Yamaha's official synth history.

  • Technical line drawing of a Yamaha CS-80-style vintage polyphonic synthesizer

    Yamaha CS-80

    Flagship CS Series polyphonic analog synthesizer

    Synthesizer · Japan

    The flagship Yamaha CS Series polyphonic analog synthesizer; Yamaha's official history says it debuted in 1977 with eight-note polyphony.

  • Jackson Kelly

    Explorer-style electric guitar series

    Electric guitar

    The Jackson Kelly is an angular, Explorer-derived series with an offset pointed body, offered from X and Pro models to USA versions, typically with neck-through construction and high-output humbucking pickups.

  • Yamaha DX5

    DX Series FM digital synthesizer

    Japan

    A Yamaha DX Series FM digital synthesizer introduced in 1985 and discussed in Yamaha's official synth history.

  • Roland JC-120 Jazz Chorus

    120-watt solid-state stereo combo amplifier

    Amplifier · Japan

    The Roland JC-120 Jazz Chorus, introduced in 1975, is a 120-watt solid-state guitar combo amplifier with two 12-inch speakers and Roland's signature built-in stereo chorus. Widely regarded as a benchmark for clean guitar tone, it has remained in continuous production for decades.

  • Yamaha CS-5

    Compact monophonic analog synthesizer

    Japan

    A compact Yamaha CS Series monophonic analog synthesizer introduced in 1978.

  • Yamaha GS-1

    Digital keyboard with FM tone generation

    Synthesizer · Japan

    A Yamaha digital keyboard released in 1981 with FM tone generation and touch-sensitive control.

  • Yamaha CS-20M

    CS Series analog synthesizer

    Japan

    A Yamaha CS Series synthesizer released in 1979 with digital technology for storing sounds.

  • Yamaha CS6x

    Synthesizer from Yamaha

    Synthesizer · Japan

    The Yamaha CS6x is a sample-based synthesizer from around 2000 combining AWM2 sample playback with virtual-analog-style control and effects, aimed at performers wanting hands-on sound shaping.

  • Yamaha CS-70M

    CS Series analog synthesizer

    Japan

    A Yamaha CS Series synthesizer introduced in 1981 with auto-tune and a built-in sequencer.

  • Korg MS-10

    Musical synthesizer

    Synthesizer · Japan

    The Korg MS-10, released in 1978, is a compact patchable monophonic analog synthesizer with a single oscillator and Korg's characterful filter. Part of the semi-modular MS series, it offers a small patch bay for routing and remains popular for gritty bass and effects.

  • Korg BX-3

    Dual-manual drawbar organ

    Organ · Japan

    The two-manual version of Korg's CX-3 clonewheel organ, with two 61-note waterfall keyboards and two sets of nine drawbars that can be combined into an 18-drawbar palette in EX mode. It uses Korg's REMS tonewheel modeling and provides per-manual vibrato, chorus, and percussion with an expression pedal. First produced in 1979 and reissued as an all-digital instrument in 2003.

  • Korg CX-3

    Single-manual drawbar organ

    Organ · Japan

    A single-manual clonewheel organ from Korg with nine drawbars, designed to recreate the sound of an electromechanical tonewheel organ and rotary speaker. Introduced in 1979 as a compact alternative to heavy console organs, it was reissued in 2001 as an all-digital instrument using Korg's REMS modeling with a 61-note waterfall keyboard.

  • Technical line drawing of Akai S900

    Akai S900

    1986 12-bit professional digital sampler

    Sampler · Japan

    The Akai S900, released in 1986, is a rackmount 12-bit digital sampler that brought professional sampling to a wider market. Its characterful lo-fi sound and MIDI control made it a studio standard of the late 1980s.

  • Technical line drawing of Akai S3000XL

    Akai S3000XL

    The Akai S3000XL is a sampler with 32 polyphonic voices, and 2 MB of built-in RAM.

    Sampler · Japan

    The Akai S3000XL is a rackmount professional digital sampler in Akai's S3000 series, offering high-quality 16-bit sampling, extensive editing, and broad compatibility for studio production.

  • Technical line drawing of EDP Wasp

    EDP Wasp

    Analogue music synthesiser

    Synthesizer · United Kingdom

    The EDP Wasp, released in 1978 by Electronic Dream Plant, is a compact, inexpensive hybrid synthesizer with digital oscillators and an analog filter. Its distinctive black-and-yellow touch keyboard and aggressive sound made it a memorable and influential budget instrument.

  • Technical line drawing of Casio MT-40

    Casio MT-40

    Electronic keyboard

    Electronic keyboard · Japan

    The Casio MT-40 is a small consumer Casiotone keyboard from the early 1980s. Though a budget home instrument, its preset rhythm and bass patterns became foundational to Jamaican dancehall through the 'Sleng Teng' riddim.

  • Technical line drawing of ARP Omni

    ARP Omni

    Polyphonic analog synthesizer

    Synthesizer · United States

    The ARP Omni, released in 1975, is a polyphonic synthesizer that combined a popular string-ensemble section with a polyphonic synth and a bass voice. One of ARP's best-selling instruments, its lush strings were widely used in 1970s pop and rock.

  • Technical line drawing of Akai AX60

    Akai AX60

    Analogue synthesizer

    Synthesizer · Japan

    The Akai AX60, released in 1986, is a six-voice polyphonic analog synthesizer with a slider-based interface that could interface with Akai's samplers, offering warm analog sounds with MIDI control.

  • Yamaha GX-1

    Concert-model Electone with polyphonic synthesizer technology

    Japan

    A large Yamaha concert-model Electone with eight-note polyphonic synthesizer technology, introduced in 1975 and discussed in Yamaha's official synthesizer history.

  • Technical line drawing of Selmer Super Action 80 Series II

    Selmer Super Action 80 Series II

    Professional saxophone model family

    Saxophone · France

    The Henri Selmer Paris Super Action 80 Series II, usually called the Series II, is the long-running backbone of the Selmer professional saxophone catalogue. Launched in 1986 and built in sopranino, soprano, alto, tenor, baritone, and bass, it is known for an open, harmonically rich sound and strong projection, and is regarded as the versatile professional alto par excellence.

  • Technical line drawing of Selmer Série III

    Selmer Série III

    Professional saxophone model family

    Saxophone · France

    The Henri Selmer Paris Série III (Series III) is a professional saxophone family unveiled in 1999 and built in soprano, alto, tenor, and baritone. Its innovative design uses small pads that reduce the surface soldered to the body tube to free the instrument's resonance, giving very accurate tuning and a rich, warm timbre without aggressiveness.

  • Realistic Concertmate MG-1

    Synthesizer model

    Synthesizer · United States

    The Realistic Concertmate MG-1 is an analog synthesizer built by Moog Music and sold through Radio Shack in the early 1980s under its Realistic brand. A consumer-oriented instrument, it offered genuine Moog circuitry—including the Moog filter—at a low price.

  • Polymoog

    Synthesizer model

    Synthesizer · United States

    The Polymoog, produced from 1975, was Moog's early fully polyphonic synthesizer, using divide-down organ-style circuitry so that every key could sound at once. It offered preset voices and resonant filters, and its distinctive 'Vox Humana' patch became iconic.

  • Multimoog

    Monophonic analog synthesizer

    Synthesizer · United States

    The Multimoog is a monophonic analog synthesizer Moog introduced in 1978 as a more capable sibling to the Micromoog. It offers two oscillators, a pressure-sensitive keyboard for added expression, and the signature Moog filter.

  • Moog Source

    Digitally controlled analog monophonic synthesizer with patch memory

    Synthesizer · United States

    The Moog Source, released in 1981, is a monophonic analog synthesizer notable for its flat membrane control panel and for being the first Moog synth with patch memory. It offers two oscillators, the Moog filter, and a built-in sequencer.

  • Moog Liberation

    Keytar synthesizer

    Keyboard

    The Liberation is a strap-on keyboard synthesizer Moog introduced in 1980, one of the first keytars. Worn like a guitar, it combines monophonic and polyphonic sections with a guitar-style neck controller for pitch bend and modulation, freeing the player from a stationary keyboard.

  • Moog Opus 3

    Polyphonic ensemble keyboard (paraphonic multi-keyboard) designed by Herb Deutsch

    Keyboard

    The Opus 3 is an ensemble keyboard Moog released in 1980, designed by Herb Deutsch. It is an affordable divide-down instrument offering string, organ, and brass ensemble voices that can be mixed together, aimed at players wanting lush layered sounds without a large modular system.

  • Moog Rogue

    Monophonic analog synthesizer

    Synthesizer · United States

    The Moog Rogue is an inexpensive monophonic analog synthesizer released in 1981, with two oscillators and the Moog filter in a small, simple package aimed at beginners and bass duties.

  • Micromoog

    Monophonic analog synthesizer

    Synthesizer · United States

    The Micromoog is a compact, affordable monophonic analog synthesizer Moog produced from 1975, featuring a single oscillator, the classic Moog ladder filter, and a ribbon controller for expressive pitch effects.

  • Moog Prodigy

    Synthesizer model

    Synthesizer · United States

    The Moog Prodigy is a compact two-oscillator monophonic analog synthesizer produced from 1979. Designed as an affordable, easy-to-use instrument, its punchy bass and lead sounds and Moog filter made it a popular entry point to the Moog sound.

  • Memorymoog

    1982 polyphonic analog synthesizer

    Synthesizer · United States

    The Memorymoog, released in 1982, was Moog's most ambitious polyphonic synthesizer, offering six voices each with three oscillators for a huge, lush sound. Powerful but initially troubled by tuning instability, it is now prized as one of the richest-sounding vintage analog polysynths.

  • Goodall Concert Jumbo

    Mid-large steel-string acoustic guitar

    Steel-string guitar · United States

    The Concert Jumbo is a Goodall steel-string guitar sized slightly smaller than the Standard series and larger than the Grand Concert. James Goodall added it in November 1998 in response to requests for a more comfortable body that still retained a large soundboard area, and it has become a favored size among Goodall owners.

  • Buffet Crampon RC

    Professional B-flat clarinet

    Clarinet · France

    The Buffet Crampon RC is a professional Boehm-system clarinet developed in 1975 by luthier Robert Carree. It introduced the RC bore, giving an easy response and a homogeneous sound across all registers, and anchors Buffet's RC bore family. Made of grenadilla and offered in B-flat, A, and E-flat.

  • Technical line drawing of Akai SG01v

    Akai SG01v

    Sound module model

    Synthesizer · Japan

    The Akai SG01v is a General MIDI-compatible sound module released in 1995, providing a library of sampled instrument sounds for playback from a MIDI sequencer or controller.