Models

24 models

  • Black technical line drawing of a Yamaha DX7-style digital synthesizer

    Yamaha DX7

    Six-operator FM digital synthesizer

    Synthesizer · Japan

    Yamaha's landmark six-operator FM digital synthesizer, introduced in May 1983.

  • Technical line drawing of Akai S1000

    Akai S1000

    1988 16-bit professional stereo digital sampler

    Sampler · Japan

    The Akai S1000, released in 1988, is a rackmount 16-bit stereo digital sampler that set a professional standard for sampling in the late 1980s and 1990s, with high audio quality, flexible editing, and wide library support.

  • Technical line drawing of Akai MPC

    Akai MPC

    Electronic musical instrument

    Synthesizer · Japan

    The Akai MPC (MIDI Production Center) is a family of sampler-sequencers, first released in 1988, that combined sampling, drum-pad performance, and sequencing in one unit. Developed with Roger Linn, the MPC became a central tool of hip-hop and electronic production and remains an industry standard.

  • Yamaha DX1

    DX Series FM digital synthesizer

    Synthesizer · Japan

    A Yamaha DX Series FM digital synthesizer introduced in 1983 and part of the original DX Series lineup discussed in Yamaha's official synth history.

  • Yamaha DX5

    DX Series FM digital synthesizer

    Japan

    A Yamaha DX Series FM digital synthesizer introduced in 1985 and discussed in Yamaha's official synth history.

  • Yamaha GS-1

    Digital keyboard with FM tone generation

    Synthesizer · Japan

    A Yamaha digital keyboard released in 1981 with FM tone generation and touch-sensitive control.

  • Yamaha CS6x

    Synthesizer from Yamaha

    Synthesizer · Japan

    The Yamaha CS6x is a sample-based synthesizer from around 2000 combining AWM2 sample playback with virtual-analog-style control and effects, aimed at performers wanting hands-on sound shaping.

  • Yamaha CS-70M

    CS Series analog synthesizer

    Japan

    A Yamaha CS Series synthesizer introduced in 1981 with auto-tune and a built-in sequencer.

  • Technical line drawing of Akai S900

    Akai S900

    1986 12-bit professional digital sampler

    Sampler · Japan

    The Akai S900, released in 1986, is a rackmount 12-bit digital sampler that brought professional sampling to a wider market. Its characterful lo-fi sound and MIDI control made it a studio standard of the late 1980s.

  • Technical line drawing of Akai S3000XL

    Akai S3000XL

    The Akai S3000XL is a sampler with 32 polyphonic voices, and 2 MB of built-in RAM.

    Sampler · Japan

    The Akai S3000XL is a rackmount professional digital sampler in Akai's S3000 series, offering high-quality 16-bit sampling, extensive editing, and broad compatibility for studio production.

  • Technical line drawing of Casio MT-40

    Casio MT-40

    Electronic keyboard

    Electronic keyboard · Japan

    The Casio MT-40 is a small consumer Casiotone keyboard from the early 1980s. Though a budget home instrument, its preset rhythm and bass patterns became foundational to Jamaican dancehall through the 'Sleng Teng' riddim.

  • Technical line drawing of Akai AX60

    Akai AX60

    Analogue synthesizer

    Synthesizer · Japan

    The Akai AX60, released in 1986, is a six-voice polyphonic analog synthesizer with a slider-based interface that could interface with Akai's samplers, offering warm analog sounds with MIDI control.

  • Technical line drawing of Akai SG01v

    Akai SG01v

    Sound module model

    Synthesizer · Japan

    The Akai SG01v is a General MIDI-compatible sound module released in 1995, providing a library of sampled instrument sounds for playback from a MIDI sequencer or controller.

  • Yamaha RX11

    Yamaha's answer to the LinnDrum

    Drum machine · Japan

    The RX11 sampled acoustic drums at twelve bits with individual outputs and MIDI, and its dry, clean voices sit under a great deal of mid-1980s pop that wanted the Linn sound without the Linn.

  • Roland TR-505

    Cheap sampled drums with a real sequencer

    Drum machine · Japan

    The 505 put PCM samples and the TR sequencer into a plastic box at a price that made it a first drum machine for a generation, and it turns up on more early house and hip-hop demos than its reputation suggests.

  • Boss DR-55 Dr. Rhythm

    A programmable drum machine the size of a paperback

    Drum machine · Japan

    The DR-55 had four analogue voices and a sixteen-step grid programmed one instrument at a time, ran on a nine-volt battery, and cost almost nothing. For many players in 1980 it was the first machine they could actually program.

  • Yamaha RX5

    Sampled drums a programmer could reshape

    Drum machine · Japan

    The RX5 gave each voice envelope, pitch, and filter editing plus cartridge expansion, which made it less a box of drums than a small percussion synthesizer.

  • Korg DDD-1

    Sampled drums with cartridge expansion

    Drum machine · Japan

    The DDD-1 combined sampled voices with ROM cartridges that added more, plus per-voice outputs and tuning — a machine built for a studio that wanted to change its drum sounds without changing machines.

  • Roland TR-626

    The 505's larger successor

    Drum machine · Japan

    The 626 widened the 505's sample set to thirty voices with Latin percussion included, and kept the same step-and-tap sequencer. It became a staple of home studios in the late 1980s.

  • Casio RZ-1

    A cheap machine that could sample

    Drum machine · Japan

    The RZ-1 offered four seconds of sampling alongside its stock voices at a consumer price, which made user-sampled drums reachable years before that was normal.

  • Boss DR-110 Dr. Rhythm Graphic

    The last of the analogue Dr. Rhythms

    Drum machine · Japan

    The DR-110 added an LCD grid that showed the pattern as you wrote it — the first drum machine many people saw their rhythm on — and was the last Boss box with analogue voices before samples took over.

  • Roland R-8 Human Rhythm Composer

    Feel parameters on every hit

    Drum machine · Japan

    The R-8 let a programmer set nuance, velocity, decay, and tuning per step, and shipped a "human feel" function that varied them deliberately — an early, explicit attempt to answer the complaint that machines do not breathe.

  • Roland Octapad PAD-8

    The 1985 pad controller that named a category

    Electronic drums · Japan

    The original Octapad was eight rubber pads and a MIDI socket, and it made "octapad" a generic word for a percussion controller. It is still the reason a drummer's auxiliary pad set is called that.

  • Roland TD-10

    The first V-Drums

    Electronic drums · Japan

    The TD-10 introduced mesh heads and physical-modelling drum synthesis in 1997, and it is the moment electronic drums stopped being pads that triggered samples and started being instruments a drummer could play dynamically.