Maker
Remo · Models
Remo Belli's Mylar drumhead, introduced in the late 1950s, ended the era of calfskin and made drums that stayed in tune through weather and travel. The company went on to build world percussion with synthetic shells and heads — djembes, frame drums, and the tunable Roto Toms — and remains the largest drumhead maker in the world.
15 models
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Model
Remo Ambassador
Drumhead · United States
A single ply of 10 mil film, clear or coated, and the head against which every other drumhead is described. The coated Ambassador on a snare is close to a default in recorded music.
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Model
Remo Talking Drum
Hand percussion · United States
Squeezing the cords between the two heads raises the pitch mid-stroke, letting the drum follow the tones of speech — which is what gives the family its name across Yoruba, Hausa, and Wolof traditions.
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Model
Remo Ocean Drum
Hand percussion · United States
Tilting the drum rolls hundreds of small steel beads across the head, producing a sound close enough to surf that it is used for exactly that in film and theatre — and, with a clear head, watched as well as heard.
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Model
Remo Diplomat
Drumhead · United States
At 7.5 mil the Diplomat is thinner than an Ambassador, giving a brighter, more open sound at low volume — the usual choice for jazz toms and for snare heads played with brushes.
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Model
Remo Controlled Sound
Drumhead · United States
Controlled Sound heads carry a reinforcing patch — the familiar black dot — at the centre, adding durability and attack where the stick lands while leaving the rest of the head free.
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Model
Remo Emperor
Drumhead · United States
The Emperor is two plies of 7 mil film, which shortens sustain and raises durability against a single ply without the dead quality of a heavier double ply.
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Model
Remo Pinstripe
Drumhead · United States
Pinstripe heads bond two plies only at the outer edge, leaving a small air gap that damps overtones without muffling the fundamental. On toms it produces the fat, controlled sound of a great deal of 1970s and 1980s rock.
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Model
Remo Fiberskyn
Drumhead · United States
Fiberskyn puts a fibre coating on a synthetic film to approximate the tone and texture of calfskin without its instability, and is used on hand drums and vintage-voiced kits alike.
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Model
Remo Practice Pad
Drum hardware · United States
Remo's practice pads use a tensioned Mylar head over a muffled shell rather than a rubber slab, which reproduces the rebound of a tuned drum more closely than rubber does.
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Model
Remo Powerstroke 3
Drumhead · United States
The Powerstroke 3's underside inlay ring damps the head's edge, which is why it appears on so many bass drums: it gives a controlled thump with no further muffling needed.
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Model
Remo Silentstroke
Drumhead · United States
Silentstroke heads are woven mesh rather than film, cutting an acoustic kit's volume by most of its output while keeping the rebound. They also make an acoustic kit triggerable.
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Model
Remo Mondo Djembe
Hand percussion
The Mondo djembe replaces a carved wooden shell with Remo's Acousticon and rope tuning with tuning lugs, which makes it consistent, weatherproof, and playable by anyone who can turn a key.
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Model
Remo Frame Drum
Hand percussion
Remo's frame drums cover the tar, bendir, and general hand-drum formats in synthetic heads and Acousticon shells, which is what put frame drums into schools and workshops at scale.
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Model
Remo Buffalo Drum
Hand percussion
The Buffalo Drum is a wide, shallow frame drum played with a soft beater, widely used in drum circles, therapy settings, and film scoring for its low, breathy tone.
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Model
Remo Roto Tom
Hand percussion
Roto Toms have no shell: the head sits on a threaded frame, and rotating the drum raises or lowers the pitch continuously. That makes them the only drum a player can glissando in performance, which is why they turn up in orchestral scores.